Monthly archive for September 2018

Michael and Katherine Fothergill Guest Artists for SW CCA Fall 2018 Seminar

Catherine Fothergill

Catherine Fothergill

Catherine Garratt Fothergill a native of Birmingham, Alabama, Catherine trained at the Alabama Dance Academy, and Alabama Ballet Center for Dance before completing her studies with the Central Pennsylvania Youth Ballet under Marcia Dale Weary. Catherine joined the Louisville Ballet, and shortly thereafter, the Alabama Ballet. Catherine danced leading roles in the all of the paramount classical ballets, and in numerous works by esteemed choreographers Frederick Ashton, George Balanchine, Agnes De Mille, Frank Staff, Jirí Kylián, Twyla Tharp, and Antony Tudor, among others.For several months of the year, Catherine travels throughout the United States and abroad as a sought after guest instructor, repetiteur and ballet mistress. Catherine has taught for esteemed organizations of classical ballet, professional ballet companies, and semi-professional academies. She has taught multiple levels of the Royal Academy of Dance syllabus and has passed numerous students with distinction. Catherine frequently assists in the staging of works for Japan Ballet Association, Balleteatro Nacional de Puerto Rico, and Les Ballets de France. Within Japan, Catherine has served as a guest instructor and ballet mistress for the Takako Classical Ballet, Chida Toshiko Ballet, and Hiroko Masuya Classic Ballet, and was a ballet mistress for the 37th annual Zendo Ballet Festival. She is a frequent guest instructor for the Cecchetti Council of America.

Michael Fothergill

Michael Fothergill

Michael Fothergill began his training in central Iowa, and furthered his dance education as a full-scholarship recipient of the Milwaukee Ballet School, Boston Ballet School, and the School of American Ballet. Following an early graduation from high school, Michael accepted an invitation to train extensively with American Ballet Theatre. During this tenure, Michael instructed at Steps on Broadway and the Peridance Capezio Center, and subsequently accepted prominent appointments as a principal dancer in companies across the United States and abroad. Michael has danced the male leads in the classical staples, as well as in works by Ashton, Balanchine, Baryshnikov, De Mille, Dow, Duato, Fokine, Fosse, Kylian, Massine, Prokovsky, Robbins, Tharp, and Tudor, among others.As an educator, Michael frequently travels across the United States, Canada, Japan, and France. He is a frequent guest instructor for the Cecchetti Council of America where is is the founding Artistic Director of the Enhanced Men’s Training Program. Michael recently completed his fourth year on the faculty of Samford University, located in Birmingham, AL. This year marks Michael’s return appointment to the distinguished panel of judges at Japan Ballet Association’s Hokkaido Ballet Competition. Michael has recently been appointed the Executive and Artistic Director of Ballet Arkansas after a 7 year stint as principal dancer and choreographer with the Alabama Ballet.

 

SW Committee Fall 2018 Seminar Welcomes Franco Baleto

Hip Hop Artist Franco Baleto

Hip Hop Artist Franco Baleto

The SW Committee CCA welcomes Franco Baleto to their Fall 2018 workshop in Bentonville, Arkansas. Franco Baleto has been a street dancer his entire life. Born in Dallas, Texas, Franco grew up break-dancing and competing in talent shows and battles. Following in the footsteps of Barry YoungBlood, Franco began dancing with GDDS six years ago. He strives to encourage his students to open up and feel the music. Gathering attention with his showshopping mohawk, Franco enters a room and never leaves a stranger. He credits his performance with the “American Idols Live” in Branson, Missouri as one of the most inspiring moments of his life. In addition to teaching Hip Hop and performing, Franco works as a volunteer for the Fort Smith Girls and Boys Club and is currently an instructor at Grace DeWitt Dance Studio.

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Southwest CCA is a non-profit organization, which exists to foster, motivate and instruct both students and instructors in the Cecchetti Method of Ballet.

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